Martyna Kosecka is a jury member at Prix Cime 2021 Electroacoustic Music Competition, organized by the International Confederation of Electroacoustic Music. The deadline for submissions is May 31, 2021.
Read the rules and apply: HERE
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Martyna Kosecka’s work sketches of “Isorropía. In search of balance” constitute a part of the exhibition “Rooted in Iran” by the “Towards Sound” initiative, dedicated to archive the creative process of people working in the field of sound. The project is organized by Ruth Wiesenfeld and will be presented in a physical form in 2022 in Hilbert Raum in Berlin.
Enter the online exhibition: HERE
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The official launch of the “Timbral Microperspectives” Project, an artistic research project by Martyna Kosecka, realized under the scholarship of the Minister of Culture and National Heritage of the Republic of Poland in the second half of 2020. All materials are available in two language versions – Polish and English – on the Research Catalogue platform with unlimited multimedia content access.
Enter “Timbral Microperspectives”: HERE
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The premiere of Martyna Kosecka’s new audiovisual composition “Hypertexture” will sound during the Yalda Electroacoustic Music Marathon organized by Spectro Centre for New Music. In the program music by Siavash Jafari, Arshia Samsaminia, Peyman Salehyan, Ali Baliqi, Niloufar Iravani, Anahita Abbasi, Sepehr Karbassian, Aida Shirazi, Arshan Najafi, Mohammad Sahebzamani/Danial Derakhshan, Niloufar Nourbakhsh, Kimia Koochakzadeh-Yazdi, Parsa Shomali, Arsalan Abedian, Sohrab Motabar, and Idin Samimi Mofakham.
About the Festival: HERE
To the concert stream: HERE
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About Martyna Kosecka’s music and views on art during the New Poland podcast by Ewa Szczecińska. The material in the Polish language.
Listen & replay: HERE
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Martyna Kosecka’s composition for five instruments and electronics Isorropía. In search of balance in the concert program “Female Forms”.
Composition is a joint commission by Spółdzielnia Muzyczna Society and ZAiKS.
The quadraphonic setup for the piece was developed in NOTAM Studio in Oslo. The microtonal synthesizer was kindly developed by Bálint Laczkó.
Special visualizations developed by Aleksandra Ołdak.
More information: HERE
Link to live stream (registration needed): HERE
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Martyna Kosecka’s electroacoustic composition “Ruba’i” will sound during the CIME/PSeME/SME Electroacoustic Music Marathon.
About the Festival: HERE
To the concert stream: HERE
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About Martyna Kosecka’s music and “Ápeiros” for chamber orchestra during the Night Zone podcast by Ewa Szczecińska, together with the music by Wolfgang Rihm, Tõnu Kõrvits, or Walter Kaufmann.
The material in the Polish language.
Listen & replay: HERE
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